of Knowledge: A New Rhetoric for Modern Democracy, University of Chicago Press. Guggenheim grants and other fellowship and foundation funds have supported many such projects (Bruce writing a business plan for a restaurant Davidsons East 100th Street, many of Marion Palfis studies, Smiths work on Pittsburgh). Personal Expression and Style Sociologists like to think of science as impersonal. Such work can be interesting and moving; we often feel that, because we trust and feel some empathy with the lyricists sensibility, we have learned something about the world from his response. American Sociological Review 11:506-512. Do those circumstances occur frequently?
Sociologists are generally very cautious about this, at least in public discussion, and I think they might consider seriously a view more common among photographers: people can and should take care of their own interests and once the investigator has honestly described his intentions. The fidelity of that imagery to the realities of social life is, as Blumer (1969) has emphasized, an important issue essay on satellite in assessing the utility of a concept. One might, at one extreme, present a single image, capturing in it all that needs to be shown about something from some point of view. Readers who accept that convention are automatically convinced. (not an SSK-book, but has a similar approach to science studies) Latour,. In this they differ from social scientists who prefer not to discuss explicitly what they cannot claim to have studied scientifically. Also associated with SSK in the 1980s was discourse analysis as applied to science (associated with Michael Mulkay at the University of York as well as a concern with issues of reflexivity arising from paradoxes relating to SSK's relativist stance towards science and the status. Does it have a visual counterpart? Eugene Smith, Robert Capa. A prime example of this failure is sociology.
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