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of literature or art as the products of historical forces that can be analyzed by looking at the material conditions in which they were formed. Bloomington: Indiana University Press, 1989. The New Cultural History. Baltimore: Johns Hopkins UP, 1974. Bloomington: Indiana UP, 1982. Course in General Linguistics. Lois: Telos P, 1973. Closure in the Novel. In the earlier historical-biographical criticism, literature was seen as a (mimetic) reflection of the historical world in which it was produced. An important contribution made by Victor Schklovsky (of the Leningrad group) was to explain how language-through a period of time-tends short essay on raja ram mohan roy to become "smooth, unconscious or transparent." In contrast, the work of literature is to defamiliarize language by a process of "making strange." Dialogism refers.

Introduction to Modern Literary Theory - Kristi Siegel

Theory of the Novel: A Historical Approach. Native Tours: The Anthropology of Travel and Tourism. In contrast, New Historicism views history skeptically (historical narrative is inherently subjective but also more broadly; history includes all of the cultural, social, political, anthropological discourses at work in any given age, and these various "texts" are unranked - any text may yield information valuable. The id houses the libido, the source of psychosexual energy. Yet, in the nature bad at writing college essays for scholarships of power, as Foucault suggests in the first volume of his History of Sexuality, is essentially proscriptive, concerned more with imposing limits on its subjects." Self-positioning - from Lois Tyson - see General Resources below - "new historicism's claim that historical. In other words, instead of trying to persuade his opponents through ordinary argumentation, Andersen basically accuses them of committing a thought-crime. Thinking Fragments: Psychoanalysis, Feminism and Postmodernism in the Contemporary West, 1990. Henderson and Christopher Brown - Glossary of Literary Theory ). London and New York: Routledge, 2004. Values in a Universe of Chance: Selected Writings of Charles. Chicago: University of Chicago Press, 1992. The Space of Literature.